Sunday, April 12, 2009






As you know, A.A.C. is holding it's second edition of Poetic Notions this Saturday. What you may not know is the definition of a poetry slam. Well, let me help you out...






What is a poetry slam anyway?
Basically, a poetry slam is a competition where individuals perform poetry. The poets usually read or recite their own work, but not always. The performances are then scored by judges.

Poetry slams were founded in the mid-80s as a way to get people interested in poetry readings. It has since developed into an international art form that emphasizes the audience’s involvement and poetic excellence.

Where did it come from?
According to slampapi.com, in 1985, construction worker and poet Marc Smith (slampapi) established a poetry reading series at the Get Me High Lounge, a Chicago jazz club. He started it as a way to “breathe life into the open mike poetry format.”

The series’ placed importance on performance and laid the groundwork for a style which would ultimately be spread all over. The owner of Green Mill, another Chicago jazz club agreed to let Smith host a weekly poetry cabaret on the club’s slow Sunday nights. The Uptown Poetry Slam was born July 25, 1986.

“Smith drew on baseball and bridge terminology for the name and instituted the show’s basic structure of an open mike, guest performers and a competition. The Green Mill evolved into the Mecca for performance poets and the Uptown Poetry Slam still continues.”

From The Complete Idiot’s Guide to Slam Poetry: “Slam poetry is the brainchild of Marc Smith (So What!), and the blue collar intellectual eccentrics who crammed into the Get Me High Lounge on Monday nights from November 1984 to September 1986 for a wide-open poetry experience. Finger-poppin’ hipster Butchie (James Dukaris) owned the place and allowed anything to happen, and it usually did. The experimenters in this new style of poetry presentation gyrated, rotated, spewed, and stepped their words along the bar top, dancing between the bottles, bellowing out the backdoor, standing on the street or on their stools, turning the west side of Chicago into a rainforest of dripping whispers or a blast furnace of fiery elongated syllables, phrases, snatches of scripts, and verse that electrified the night.”

The general rules for poetry slams are:
Each poem has to be an original work by the poet.
Each poet gets three minutes [and a ten-second grace period] to read one poem. If the poet goes over, points will be taken away from the total score.
Poets can’t use props, costumes or musical instruments.
Of the scores the poet received from the five judges, the high and low scores are dropped and the middle three added together; this gives the poet a total score of 1-30.

**Note that rules vary from slam to slam.**

But as slammaster Allan Wolf stated, “The points are not the point; the point is poetry.”




**Don't forget to check out A.A.C. and the other poets at Poetic Notions, Saturday, April 18 at 7 PM. Tickests are $3 in advance and $5 at the door. It will be held at the MSU Lounge at Georgia College & State University. For more info, contact A.A.C. at aacshutdown@gmail.com.
Check out the facebook event here

Friday, April 03, 2009


Profile interview with very talented artist, Keith Rosemond.







Keith Rosemond II 22yrs old, Double major in Illustration and Graphic Design, Senior at Savannah College of Art and Design, www.keithrosemond.com

A.A.C.: When and how did you discover that art is what you wanted to pursue?

Keith Rosemond: Like a lot of artists, I’ve been drawing ever since I can remember, so I guess it was always assumed that art was going to be my profession [in] some way or another. My father is actually the person who started my interest in drawing because he would sometimes sketch and doodle in his free time.





A.A.C.: What kind of art do you do?
K.R.: It’s really hard to separate different types of art, so I guess the best way to describe it is to say I create 2D illustrations using traditional mediums such as watercolor, ink and pencil. I also create more text-based graphic design artwork using computer programs such as Photoshop, Illustrator and InDesign.


A.A.C: Who and what influence your work?
K.R.: I absolutely love comic books and cartoons; they are where I find a lot of motivation to create artwork. I think it’s simply because they really stretch the imagination of the reader and viewer. In these forms of artwork, anything is possible, and I love that. More traditional forms of artwork that influence me are African Art, African-American art and Japanese prints. These last three influences are very evident in my style of illustration.


A.A.C.: Who in the art world inspires you?
K.R.: In the world of comic books and cartoons: Eichiro Ida, Masashi Kisimoto, Ikeno, Arthur Adams, Lesean Thomas, Eric Canete and Bryan Hitch are a few artist that stick out in my mind. In the illustration world: James Jean, Yuko Shimizu and Sam Weber are great! Fine artists Maurice Evans and Kadir Nelson really inspire me, and Japanese printmakers Kuniyoshi and Hokusai are simply amazing!


A.A.C.: What is it that you ultimately want to achieve?
K.R.: That is a great question, which I don’t know the answer to, even though I feel I should. In the grand scheme of things, I guess it’s to use my gift to fulfill God’s plan for my life.


A.A.C.: What has been your greatest accomplishment(s) so far?
K.R.: Probably this interview (lol) I don’t think anyone has ever wanted to ask me questions about myself to put on the Web from everyone to see, so this is pretty cool.


A.A.C.: What have been some obstacles you've faced?
K.R.: Finding my market and audience in the art world and being able to attack successfully.


A.A.C.: How did you get through them?
K.R.: I’m currently sending out postcards with my work to potential clients to see who I get a response from.



A.A.C.: What advice do you have for aspiring artists?
K.R.: Keep creating and make sure you have the big three: Talent, Tenacity and Targeting (the ability to find you market).




Check out more of Keith's work at www.keithrosemond.com